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Acknowledgments

Introduction:
This Is Where I Came In

1 

The History of an Idea

Noir Is Born: Paris, 1946-1959

Darkness Everywhere

2 

Modernism and Blood Melodrama: Three Case Studies

Believing in Nothing

Sympathy for the Devil

The Death Chamber

3 

From Dark Films to Black Lists: Censorship and Politics

Bourbon with a Bourbon Chaser

The Snakes Are Loose

After 1947

4 

Low Is High: Budgets and Critical Discrimination

B Pictures Versus Intermediates

Post-B Pictures

5 

Old Is New: Styles of Noir

Black and White and Red

Parody, Pastiche, Fashion

6 

The Other Side of the Street

Asia

Latin America

Africa

7 The Noir Mediascape

Notes

Bibliography

General Index 

Film and Broadcast Index