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To Fall falling have fallen in love
Convict
Black as he’s painted
Exporting aliens
Ticket to ride
Barney is a dinosaur from our imagination
On break the 12th lament
Lies are the oil of social machinery
(Proust)
They have to get you in the end Otherwise there’d be no end to the pointlessness
(Derek Raymond)
In my last darkness there might not be the same need of understanding anything so far away as the world any more
(Robin Cook)
Castro
Americana
London
To roost
Which bridge to cross and which bridge to burn
(Vince Gill)
Felicitations
A mugging we will go
Full frontal
Trying to recapture the great moments of the past
Cast(e)
The American way
‘We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.’
(Opening lines of ‘Fear and Loathing in Las Vegas’)
‘I have long known that it is part of God’s plan for me to spend a little time with each of the most stupid people on earth.’
(Bill Bryson)
‘The best the white world offered was not enough ecstasy for me. Not enough life, joy, kicks, darkness, music; not enough night.’
(Jack Kerouac)
Close call
‘Yada Yada’ or some such
(Melanie)
Each angel is terrible
(Rilke)
Brown is the new Black
(London fashion guide)
Children’s program
‘One of the most disturbing facts that came out in the Eichman trial was that a psychiatrist examined him and pronounced him perfectly sane. We equate sanity with a sense of justice, with humanness, with the capacity to love and understand people. We rely on the sane people of the world. And now it begins to dawn on us that it is precisely the sane one’s who are the most dangerous.’
— Thomas Merton
My kind of town
(Ol’ Blue Eyes)
Applicant
Something in the way she moves
Montezuma’s Revenge
I have a need
Demian in ‘Exorcist III’
Fist
I had a dream (ABBA)
Taming the Alien
Run for home (Lindisfarne)
Shooting
Acts ending — if not concluding
Brief debriefing
J is for Judgement (Sue Grafton)
‘Which party would you like to be invited to?’
‘The one’, I said, ‘least likely to involve gunfire.’
(‘Midnight In The Garden Of Good and Evil’ — John Berendt)