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The 1950s
A South African Childhood: Allusions in a Landscape
Hassan in America
Egypt Revisited
Chief Luthuli
Apartheid
The 1960s
The Congo
Party of One
A Bolter and the Invincible Summer
Censored, Banned, Gagged
Great Problems in the Street
Notes of an Expropriator
Taking into Account: Simone de Beauvoir’s Force of Circumstance
One Man Living Through It
Why Did Bram Fischer Choose Jail?
The Short Story in South Africa
Madagascar
The 1970s
Merci Dieu, It Changes: Accra and Abidjan
Pack Up, Black Man
Unchaining Poets
The New Black Poets
A Writer’s Freedom
English-Language Literature and Politics in South Africa
Letter from Soweto
What Being a South African Means to Me: Address at the University of Cape Town
Transkei: A Vision of Two Blood-Red Suns
Relevance and Commitment
Pula!: Botswana
The 1980s
The Prison-House of Colonialism: Ruth First’s and Ann Scott’s Olive Schreiner
Letter from the 153rd State
The South African Censor: No Change
Unconfessed History: Alan Paton’s Ah, But Your Land Is Beautiful
Mysterious Incest
The Child Is the Man: Wole Soyinka’s Aké: The Years of Childhood
Living in the Interregnum
The Idea of Gardening: J. M. Coetzee’s The Life and Times of Michael K
New Notes from Underground: Breyten Breytenbach’s Mouroir
The Essential Gesture
Letter from Johannesburg
Huddleston: A Sign
The Gap Between the Writer and the Reader
Censorship — The Final Solution: The Case of Salman Rushdie
The African Pot
The 1990s
A Writer’s Vital Gift to a Free Society: The Satanic Verses
Freedom Struggles out of the Chrysalis
Sorting the Images from the Man: Nelson Mandela
Censorship and its Aftermath
Joseph Roth: Labyrinth of Empire and Exile
Turning the Page: African Writers on the Threshold of the Twenty-first Century
Beyond Myth: Mandela’s Mettle
Rising to the Ballot
Letter from South Africa
Cannes Epilogue
Remembering Barney Simon
Our Century
The Status of the Writer in the World Today: Which World? Whose World?
The Poor Are Always with Us: The Eradication of Poverty
From a Correspondence with Kenzaburo Oe
Octavio Paz: Poet-Archer
When Art Meets Politics
A Letter to Future Generations
Five Years into Freedom: My New South African Identity
Hemingway’s Expatriates: A Way of Looking at the World
The 2000s
Personal Proust
Africa’s Plague, and Everyone’s
What News on the Rialto?
The Dwelling Place of Words
The Entitlement Approach
The Ballad of the Fifth Avenue Hotel
Chinua Achebe and Things Fall Apart
Joseph Conrad and Almayer’s Folly
A Coincidence of Wills?
Witness — Past or Present?
Fear Eats the Soul
Living with a Writer
Edward Said
With Them You Never Know: Albert Memmi
William Plomer and Turbott Wolfe
Atlantis
Thirst
Questions Journalists Don’t Ask
‘To You I Can’: Gustave Flaubert’s November
Leo Tolstoy and The Death of Ivan Ilyich
Susan Sontag
Home Truths from the Past: Machiavelli or Erasmus?
Witness: The Inward Testimony
Desmond Tutu As I Know Him
Lust and Death: Philip Roth’s Everyman
Faith, Reason and War
Naguib Mahfouz’s Three Novels of Ancient Egypt
Experiencing Two Absolutes
The Lion in Literature
Source Acknowledgements
Footnotes