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Acknowledgments
Introduction:
This Is Where I Came In
1
The History of an Idea
Noir Is Born: Paris, 1946-1959
Darkness Everywhere
2
Modernism and Blood Melodrama: Three Case Studies
Believing in Nothing
Sympathy for the Devil
The Death Chamber
3
From Dark Films to Black Lists: Censorship and Politics
Bourbon with a Bourbon Chaser
The Snakes Are Loose
After 1947
4
Low Is High: Budgets and Critical Discrimination
B Pictures Versus Intermediates
Post-B Pictures
5
Old Is New: Styles of Noir
Black and White and Red
Parody, Pastiche, Fashion
6
The Other Side of the Street
Asia
Latin America
Africa
7 The Noir Mediascape
Notes
Bibliography
General Index
Film and Broadcast Index
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