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THE COLUMBIA HISTORY OF THE BRITISH NOVEL^[1]

Licensing Pleasure: Literary History and the Novel in Early Modern Britain

Defoe and Early Narrative

Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century

Richardson and His Circle

Fielding and the Novel at Mid-Century

From Swift to Smollett: The Satirical Tradition in Prose Narrative

Sterne: Comedian and Experimental Novelist

Sentimental Novels of the Later Eighteenth Century

Frances Burney and the Rise of the Woman Novelist

The Gothic Novel, 1764 -1824

Novels of the 1790s: Action and Impasse

Jane Austen

Walter Scott: Narrative, History, Synthesis

A Novel of Their Own: Romantic Women's Fiction, 1790–1830

"Speak what we think": The Brontës and Women Writers

Dickens

Thackeray and the Ideology of the Gentleman

George Eliot and the Novel of Ideas

Trollope

Wilkie Collins and the Sensation Novel

Disraeli, Gaskell, and the Condition of England

Shaping Hardy's Art: Vision, Class, and Sex

The Nineteenth-Century Novel and Empire

Lewis Carroll and the Child in Victorian Fiction

The Avoidance of Naturalism: Gissing, Moore, Grand, Bennett, and Others

Rudyard Kipling to Salman Rushdie: Imperialism to Postcolonialism

Bennett, Wells, and the Persistence of Realism

Joseph Conrad

D. H. Lawrence

Isherwood, Huxley, and the Thirties

James Joyce

Virginia Woolf

Forster, Ford, and the New Novel of Manners

Samuel Beckett's Postmodern Fictions

Satire between the Wars: Evelyn Waugh and Others

The Reaction against Modernism: Amis, Snow, Wilson

Sleeping with the Enemy: Doris Lessing in the Century of Destruction

Drabble to Carter: Fiction by Women, 1962–1992

The Contemporary Novel

Biographies of British Novelists

Notes on Contributors

Index