BIG RED SON
CERTAINLY THE END OF SOMETHING OR OTHER, ONE WOULD SORT OF HAVE TO THINK
SOME REMARKS ON KAFKA’S FUNNINESS FROM WHICH PROBABLY NOT ENOUGH HAS BEEN REMOVED
~ ~ ~
AUTHORITY AND AMERICAN USAGE *
~ ~ ~
THESIS STATEMENT FOR WHOLE ARTICLE
EXAMPLE OF HOW CONCEPTS OF RHETORIC AND DIALECT AND GROUP-INCLUSION CAN HELP MAKE SENSE OF SOME OF THE USAGE WARS’ CONSTITUENT BATTLES
ANOTHER KIND OF USAGE WARS-RELATED EXAMPLE, THIS ONE WITH A PARTICULAR EMPHASIS ON DIALECT AS A VECTOR OF SELF-PRESENTATION VIA POLITENESS 62
*INTERPOLATION
†INTERPOLATION
ARTICLE’S CRUX: WHY BRYAN A. GARNER IS A GENIUS (I)
WHY BRYAN A. GARNER IS A GENIUS (II)
WHY BRYAN A. GARNER IS A GENIUS (III)
BONUS FULL-DISCLOSURE INFO ON THE SOURCES OF CERTAIN STUFF THAT DOES OR SHOULD APPEAR INSIDE QUOTATION MARKS IN THIS ARTICLE
THE VIEW FROM MRS. THOMPSON’S
HOW TRACY AUSTIN BROKE MY HEART
UP, SIMBA
OPTIONAL FOREWORD
WHO CARES
GLOSSARY OF RELEVANT CAMPAIGN TRAIL VOCAB, MOSTLY COURTESY OF JIM C. AND THE NETWORK NEWS TECHS
SUBSTANTIALLY FARTHER BEHIND THE SCENES THAN YOU’RE APT TO WANT TO BE
WHO EVEN CARES WHO CARES
NEGATIVITY
SUCK IT UP
CONSIDER THE LOBSTER
JOSEPH FRANK’S DOSTOEVSKY
Personal Acknowledgments
Notes